Vocal techniques and narrative expression in Sichuan Bamboo Qin: A case study of He Jufang

Information from the abstract

This study examines the characteristics and structures of vocal techniques in Sichuan Bamboo Qin through a case study of the performance practice of He Jufang, an inheritor of the intangible cultural heritage within the Zhonghe Tune tradition. A qualitative case study approach was employed, integrating documentary research, semi-structured interviews, performance observation, and musicological analysis in conjunction with acoustic analysis to explore the relationships among musical structure, modal system, vocal techniques, and narrative function in three representative repertoires. The findings reveal that vocal techniques consist of several core components, including breath control, resonance application, the Shi San Qiang (Thirteen Tones) system, decorative techniques, and dialect-based diction, all of which play a crucial role in conveying emotional expression and musical meaning. These techniques are closely associated with musical structure, modal organization, pitch range, and rhythmic patterns, requiring performers to adapt vocal production in accordance with narrative context. Moreover, the interaction between voice and instrumental accompaniment reflects an integrated musical system characterized by rhythmic synchronization, melodic echo, and phrase filling, which enhances narrative continuity and expressive intensity. This study contributes to a systematic analytical understanding of vocal techniques in Sichuan Bamboo Qin and highlights the role of performers as both transmitters and interpreters of traditional practices within contemporary contexts, offering valuable insights for ethnomusicological research and the preservation of intangible cultural heritage.

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Related topics: Diverse Musicological Studies · Music and Audio Processing · Musicology and Musical Analysis